Art History for Comics: Past, Present and Potential Futures
| Tipo | Libro |
|---|---|
| Autor | Ian Horton |
| Autor | Maggie Gray |
| Resumen | This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future. It unearths how early comics scholars deployed art-histori cal approaches, including stylistic analysis, iconography, Cultural History and the social history of art, and proposes how such methodologies, updated in light of disciplinary developments within Art History, could be usefully adopted in the study of comics today. Through a series of indicative case studies of British and American comics like Eagle, The Mighty Thor, 2000AD, Escape and Heartbreak Hotel, it argues that art-historical methods better address overlooked aspects of visual and material form. Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies.Este libro analiza los cómics a través de la lente de la historia del arte, examinando la influencia pasada de las metodologías históricas del arte en la erudición de los cómics para ver cómo se pueden aplicar a los estudios de cómics en el presente y el futuro. Descubre cómo los primeros estudiosos del cómic implementaron enfoques de la historia del arte, incluido el análisis estilístico, la iconografía, la historia cultural y la historia social del arte, y propone cómo dichas metodologías, actualizadas a la luz de los desarrollos disciplinarios dentro de la historia del arte, podrían adoptarse de manera útil en el estudio. de los cómics de hoy. A través de una serie de estudios de casos indicativos de cómics británicos y estadounidenses como Eagle, The Mighty Thor, 2000AD, Escape y Heartbreak Hotel, se argumenta que los métodos histórico-artísticos abordan mejor los aspectos pasados por alto de la forma visual y material. Devolver la historia del arte al nexo interdisciplinario de la erudición en historietas plantea algunas preguntas fundamentales sobre las categorías, los marcos y los valores que subyacen en los estudios contemporáneos de historietas. |
| Fecha | 2022 |
| Idioma | en |
| Título corto | Art History for Comics |
| Catálogo de biblioteca | DOI.org (Crossref) |
| URL | https://link.springer.com/10.1007/978-3-031-07353-3 |
| Accedido | 23/9/2022 9:08:17 |
| Adicional | DOI: 10.1007/978-3-031-07353-3 |
| Lugar | Cham |
| Editorial | Springer International Publishing |
| ISBN | 978-3-031-07352-6 978-3-031-07353-3 |
| Serie | Palgrave Studies in Comics and Graphic Novels |
Horton, I., & Gray, M. (2022a). A Social History of Comics Art: Looking at Writers and Readers’ Capitalism for Beginners. En I. Horton & M. Gray (Eds.), Art History for Comics: Past, Present and Potential Futures (pp. 141-168). Springer International Publishing. https://doi.org/10.1007/978-3-031-07353-3_9
Horton, I., & Gray, M. (2022b). Art History Turned Upside Down: David Kunzle and the Social History of Art. En I. Horton & M. Gray (Eds.), Art History for Comics: Past, Present and Potential Futures (pp. 31-42). Springer International Publishing. https://doi.org/10.1007/978-3-031-07353-3_4
Horton, I., & Gray, M. (2022c). Challenging Canons and the Challenge of Style: Visualising the Baroque Storyworld of Judge Dredd’s “The Cursed Earth”. En I. Horton & M. Gray (Eds.), Art History for Comics: Past, Present and Potential Futures (pp. 59-82). Springer International Publishing. https://doi.org/10.1007/978-3-031-07353-3_6
Horton, I., & Gray, M. (2022d). Cultural History for Comics Studies: Reinterpreting the Eagle and “Dan Dare – Pilot of the Future”. En I. Horton & M. Gray (Eds.), Art History for Comics: Past, Present and Potential Futures (pp. 115-140). Springer International Publishing. https://doi.org/10.1007/978-3-031-07353-3_8
Horton, I., & Gray, M. (2022e). Establishing Canons, Styles and Schools at the Dawn of Comics Studies. En I. Horton & M. Gray (Eds.), Art History for Comics: Past, Present and Potential Futures (pp. 13-20). Springer International Publishing. https://doi.org/10.1007/978-3-031-07353-3_2
Horton, I., & Gray, M. (2022f). Iconography and Cultural History in Comics Studies. En I. Horton & M. Gray (Eds.), Art History for Comics: Past, Present and Potential Futures (pp. 21-29). Springer International Publishing. https://doi.org/10.1007/978-3-031-07353-3_3
Horton, I., & Gray, M. (2022g). Iconography for Comics Studies Reconsidered: Interpreting Visual Transformations in Jack Kirby’s The Mighty Thor. En I. Horton & M. Gray (Eds.), Art History for Comics: Past, Present and Potential Futures (pp. 83-114). Springer International Publishing. https://doi.org/10.1007/978-3-031-07353-3_7
Horton, I., & Gray, M. (2022h). Modernism and Comics Revisited: Form and Fragmentation in Alan Moore’s “I Can Hear the Grass Grow”. En I. Horton & M. Gray (Eds.), Art History for Comics: Past, Present and Potential Futures (pp. 197-223). Springer International Publishing. https://doi.org/10.1007/978-3-031-07353-3_11
Horton, I., & Gray, M. (2022i). Re-framing the Avant-Garde: Different Ways of Seeing Escape. En I. Horton & M. Gray (Eds.), Art History for Comics: Past, Present and Potential Futures (pp. 169-196). Springer International Publishing. https://doi.org/10.1007/978-3-031-07353-3_10
Horton, I., & Gray, M. (2022j). Variations of Formalism, Modernism, Abstraction. En I. Horton & M. Gray (Eds.), Art History for Comics: Past, Present and Potential Futures (pp. 43-55). Springer International Publishing. https://doi.org/10.1007/978-3-031-07353-3_5
Horton, I., & Gray, M. (2022k). Why Does Comics Studies Need Art History (and Vice Versa)? En I. Horton & M. Gray (Eds.), Art History for Comics: Past, Present and Potential Futures (pp. 1-10). Springer International Publishing. https://doi.org/10.1007/978-3-031-07353-3_1
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