{"id":168,"date":"2022-09-21T13:59:07","date_gmt":"2022-09-21T13:59:07","guid":{"rendered":"http:\/\/dnmrul.es\/tebeotecario\/?p=168"},"modified":"2022-09-20T08:30:51","modified_gmt":"2022-09-20T08:30:51","slug":"nuevo-numero-tebeosfera-n-o-20-2022","status":"publish","type":"post","link":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/2022\/09\/21\/nuevo-numero-tebeosfera-n-o-20-2022\/","title":{"rendered":"Nuevo n\u00famero: Tebeosfera n.\u00ba 20 (2022)"},"content":{"rendered":"<p>Las referencias de los art\u00edculos del nuevo n\u00famero de Tebeosfera especial Sergio Aragon\u00e9s ya se encuentran disponibles en <a href=\"http:\/\/dnmrul.es\/tebeotecario\/index.php\/tbotkbd\/\">tbotkBD<\/a>.<\/p>\n<ul class=\"report combineChildItems\">\n<li id=\"item_RDR3H8NN\" class=\"item journalArticle\">\n<h2>De bomberos y astronautas. Dos series mudas de Sergio Aragon\u00e9s<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Antoni Guiral Conti<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>The creative restlessness of Sergio Aragon\u00e9s is well known. Despite having a permanent job at Mad and ongoing successful series like Groo, he continued to start new projects, such as creating series for the Strip Art Features agency, now based in Slovenia. This text reviews his work for that company, two strips without words that delighted European and American audiences during the nineties: The Smokehouse Five and Buzz and Bell. La inquietud creativa de Sergio Aragon\u00e9s es bien conocida. Pese a tener trabajo fijo en Mad y series en curso de \u00e9xito como Groo, \u00e9l sigui\u00f3 iniciando nuevos proyectos, como la creaci\u00f3n de series para la agencia Strip Art Features, radicada hoy en Eslovenia. En este texto se revisa su trabajo para esa empresa, dos series de humor sin palabras que hicieron las delicias del p\u00fablico europeo y estadounidense durante los a\u00f1os noventa: The Smokehouse Five y Buzz and Bell.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/dialnet.unirioja.es\/servlet\/extart?codigo=8531152\">https:\/\/dialnet.unirioja.es\/servlet\/extart?codigo=8531152<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Sergio Aragon\u00e9s<\/li>\n<\/ul>\n<\/li>\n<li id=\"item_FCG2Y4S5\" class=\"item journalArticle\">\n<h2>El hombre m\u00e1s interesante del mundo<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Luis Gant\u00fas<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>Portuguese steamer Nyassa, Aragon\u00e9s has become an important figure on the comic scene due to his work as a cartoonist in the United States. This article discusses the activities carried out in his childhood and youth (drawing, architecture, swimming, acting), which provide keys to understanding the development of his subsequent satirical work. Desde que lleg\u00f3 a M\u00e9xico en el vapor portugu\u00e9s Nyassa, Aragon\u00e9s se convirti\u00f3 en un tipo importante de la escena humor\u00edstica debido a su labor como dibujante en EEUU. En este art\u00edculo se habla de las actividades desarrolladas en su infancia y juventud (el dibujo, la arquitectura, la nataci\u00f3n, la interpretaci\u00f3n), que aportan claves para comprender el desarrollo de su obra sat\u00edrica posterior.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/revista.tebeosfera.com\/documentos\/el_hombre_mas_interesante_del_mundo.html\">https:\/\/revista.tebeosfera.com\/documentos\/el_hombre_mas_interesante_del_mundo.html<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Sergio Aragon\u00e9s<\/li>\n<\/ul>\n<\/li>\n<li id=\"item_XA4ITPC5\" class=\"item journalArticle\">\n<h2>Groo, el gafe incompetente<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Manuel Barrero<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>Drama is commonly considered to be the natural home of the so-called graphic novel. However, the humorous series Groo, by Sergio Aragon\u00e9s, has all the elements of an &#8220;author&#8217;s&#8221; comic despite being a &#8220;simple&#8221; parody. Groo is a work created with intelligence, drawn with great care and that contains findings that surprise those who approach its pages with prejudices, as concluded in this article. Por lo com\u00fan, se considera que el drama es el hogar natural de la llamada novela gr\u00e1fica. No obstante, la serie humor\u00edstica Groo, de Sergio Aragon\u00e9s, tiene todos los elementos propios de una historieta &#8220;de autor&#8221; pese a ser una parodia &#8220;simple&#8221;. Groo es una obra creada con inteligencia, dibujada con mucho esmero y que contiene hallazgos que sorprenden a quien se acerca a sus p\u00e1ginas con prejuicios, seg\u00fan se concluye en este art\u00edculo.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/revista.tebeosfera.com\/documentos\/groo_el_gafe_incompetente.html\">https:\/\/revista.tebeosfera.com\/documentos\/groo_el_gafe_incompetente.html<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Groo<\/li>\n<li>Sergio Aragon\u00e9s<\/li>\n<\/ul>\n<\/li>\n<li id=\"item_6QXNS4CZ\" class=\"item journalArticle\">\n<h2>La encarnaci\u00f3n del capitalismo salvaje en los c\u00f3mics: Agatha Crumm<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Jos\u00e9 Mar\u00eda Conget<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>Agatha Crumm was a comic strip that King Features ran from 1977 to 1996. Bill Hoest created this comic starring a wealthy loan shark businesswoman. Reading it today, it&#8217;s not easy to tell if it&#8217;s a mockery of capitalist hyperbolic cruelty or if Hoest was in some way complicit in its egregious selfishness. Agatha Crumm fue una tira c\u00f3mica que King Features mantuvo en curso entre 1977 y 1996. Bill Hoest cre\u00f3 a esta ricachona empresaria usurera que hoy resulta dif\u00edcil identificar con una burla a la hiperb\u00f3lica crueldad capitalista (a veces Hoest parece c\u00f3mplice de su ego\u00edsmo atroz). En esta rese\u00f1a se analiza esta obra semi olvidada pero realista y prof\u00e9tica.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/revista.tebeosfera.com\/documentos\/la_encarnacion_del_capitalismo_salvaje_en_los_comics_agatha_crumm.html\">https:\/\/revista.tebeosfera.com\/documentos\/la_encarnacion_del_capitalismo_salvaje_en_los_comics_agatha_crumm.html<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Agatha Crumm<\/li>\n<li>Capitalismo<\/li>\n<\/ul>\n<\/li>\n<li id=\"item_6G6EVEFH\" class=\"item journalArticle\">\n<h2>Las caricaturas editoriales de Sergio Aragon\u00e9s en el peri\u00f3dico neoyorkino Espa\u00f1a Libre<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Montserrat Feu<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>Sergio Aragon\u00e9s was born in Spain and was exiled to France as a child due to his parents&#8217; anti-fascist ideology. He contributed to that ideological struggle when he became a satirist, as can be seen in the cartoons he did for the New York newspaper Espa\u00f1a Libre. In this work, Aragon\u00e9s attacks Franco and his policies, and at the same time launches a critical message towards social exclusion and political conformity in the face of abuse. Sergio Aragon\u00e9s naci\u00f3 en Espa\u00f1a y se exili\u00f3 a Francia cuando era un ni\u00f1o debido a la ideolog\u00eda antifascista de sus padres. \u00c9l contribuy\u00f3 a esa lucha ideol\u00f3gica cuando se convirti\u00f3 en autor sat\u00edrico, como lo demuestran sus vi\u00f1etas para el peri\u00f3dico neoyorkino Espa\u00f1a libre. En esta obra, Aragon\u00e9s ataca a Franco y sus pol\u00edticas, y lanza al mismo tiempo un mensaje cr\u00edtico hacia la exclusi\u00f3n social y la conformidad pol\u00edtica ante los abusos.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/revista.tebeosfera.com\/documentos\/las_caricaturas_editoriales_de_sergio_aragones_en_el_periodico_neoyorkino_espana_libre.html\">https:\/\/revista.tebeosfera.com\/documentos\/las_caricaturas_editoriales_de_sergio_aragones_en_el_periodico_neoyorkino_espana_libre.html<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Sergio Aragon\u00e9s<\/li>\n<\/ul>\n<\/li>\n<li id=\"item_QLHBFWB9\" class=\"item journalArticle\">\n<h2>Las colaboraciones en franquicias de Sergio Aragon\u00e9s<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Francisco Manuel S\u00e1ez de Adana Herrero<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>Sergio Aragon\u00e9s looked for a job as a screenwriter at DC Comics before starting to work on his own comedy series. Bat Lash, a western, was one of the series he wrote scripts for. Over time, Aragon\u00e9s became so famous that he was reclaimed for other series, such as The Simpsons. This article reviews some series in which Aragon\u00e9s came to work as a guest. Sergio Aragon\u00e9s busc\u00f3 trabajo como guionista en DC Comics antes de comenzar a hacer sus propias series de humor. Bat Lash, un w\u00e9stern, fue una de las series en las que escribi\u00f3 guiones. Con el tiempo, Aragon\u00e9s tuvo tanta fama que lo reclamaron para series ajenas, como Los Simpson. En este art\u00edculo se repasan algunas series en las que Aragon\u00e9s entr\u00f3 a trabajar como invitado.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/revista.tebeosfera.com\/documentos\/las_colaboraciones_en_franquicias_de_sergio_aragones.html\">https:\/\/revista.tebeosfera.com\/documentos\/las_colaboraciones_en_franquicias_de_sergio_aragones.html<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Sergio Aragon\u00e9s<\/li>\n<li>DC Comics<\/li>\n<li>The Simpsons<\/li>\n<\/ul>\n<\/li>\n<li id=\"item_L8WMQG76\" class=\"item journalArticle\">\n<h2>Porno feminista y trabajo sexual: Apuntes desde el c\u00f3mic femenino<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Aitor Bikandi-Mejias<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>This essay offers an overview of some comics created, both in Spain and abroad, from a mostly feminist perspective, and made almost exclusively by women, in the 20th century and, above all, in the 21st. The comics that we will see serve as a starting point for an analysis of pornography and sex work, from theoretical positions of feminism, especially sex-positive feminism, and with the help of film studies. In this semiotic field of sexual desire, considered until recently almost exclusively male, we notice how female comics advocate body diversity and pursue a \u201cresensitization\u201d of the entire body, reducing the emphasis on the genital area, thus leading to a disruption of the traditional paradigms of conventional eroticism and pornography. Este ensayo ofrece un estudio de algunos c\u00f3mics creados, tanto en Espa\u00f1a como en el extranjero, desde una perspectiva mayormente feminista y realizados casi exclusivamente por mujeres, en el siglo XX y, sobre todo, en el XXI. Las historietas que veremos nos sirven de punto de partida para un an\u00e1lisis de la pornograf\u00eda y del trabajo sexual, desde posturas te\u00f3ricas del feminismo, especialmente del feminismo pro sexo, y con ayuda de los estudios f\u00edlmicos. En este \u00e1mbito semi\u00f3tico del deseo sexual, considerado hasta hace bien poco casi exclusivamente masculino, advertimos c\u00f3mo desde el c\u00f3mic femenino se aboga por la diversidad corporal y se persigue una \u201cresensibilizaci\u00f3n\u201d de todo el cuerpo, disminuyendo el \u00e9nfasis en la zona genital, acarreando as\u00ed un trastrocamiento de los paradigmas tradicionales del erotismo y pornograf\u00eda convencionales.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/revista.tebeosfera.com\/documentos\/porno_feminista_y_trabajo_sexual_apuntes_desde_el_comic_femenino.html\">https:\/\/revista.tebeosfera.com\/documentos\/porno_feminista_y_trabajo_sexual_apuntes_desde_el_comic_femenino.html<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Autoras<\/li>\n<li>C\u00f3mic er\u00f3tico<\/li>\n<li>C\u00f3mic pornogr\u00e1fico<\/li>\n<li>C\u00f3mic feminista<\/li>\n<\/ul>\n<\/li>\n<li id=\"item_FE8EH765\" class=\"item journalArticle\">\n<h2>Roger Stern, un artesano del c\u00f3mic<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Jos\u00e9 Manuel Hinojosa Torres<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>Roger Stern fue un artesano del c\u00f3mic de superh\u00e9roes, capaz de trabajar respetuosamente con las tramas cl\u00e1sicas del Universo Marvel, pero dando a los personajes un nuevo rumbo dependiendo del contexto. En el caso del Capit\u00e1n Am\u00e9rica, lo volvi\u00f3 contra el sistema; en el caso de Spiderman, lo regres\u00f3 a la normalidad. Aqu\u00ed se revisa su labor como guionista con esos personajes y otros como Los Vengadores y Doctor Extra\u00f1o. Roger Stern was a craftsman of superhero comics, capable of respectfully working with the classic plots of the Marvel Universe, but giving the characters a new direction depending on the context. In the case of Captain America, he turned it against the system; in Spider-man&#8217;s case, he turned him back to normal. Here we review his work as a writer with these characters and others such as The Avengers and Doctor Strange.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/revista.tebeosfera.com\/documentos\/roger_stern_un_artesano_del_comic.html\">https:\/\/revista.tebeosfera.com\/documentos\/roger_stern_un_artesano_del_comic.html<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Superh\u00e9roes<\/li>\n<li>Roger Stern<\/li>\n<li>Marvel<\/li>\n<\/ul>\n<\/li>\n<li id=\"item_M8TF7IPL\" class=\"item journalArticle\">\n<h2>Sergio Aragon\u00e9s Funnies: Una cosa curiosa ocurri\u00f3 de camino a Springfield<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Ricardo Vigueras Fern\u00e1ndez<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>Sergio Aragon\u00e9s has always had help from an editor to publish his comics due to his weak command of English. Only one work, titled Sergio Aragon\u00e9s Funnies, has his own unedited scripts, and he chose to do so because this comic is mostly autobiographical. This article comments on the value of this self-portrait of a vitalist, of a man in love with his work. Sergio Aragon\u00e9s ha tenido siempre ayuda de un editor para publicar sus c\u00f3mics debido a su d\u00e9bil manejo del ingl\u00e9s. Solamente una obra, Sergio Aragon\u00e9s Funnies, lleva guiones propios sin editar, y escogi\u00f3 proceder as\u00ed debido a que ese c\u00f3mic es mayoritariamente autobiogr\u00e1fico. En el presente art\u00edculo se comenta el valor de este autorretrato de un vitalista, de un hombre enamorado de su trabajo.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/dialnet.unirioja.es\/servlet\/extart?codigo=8531155\">https:\/\/dialnet.unirioja.es\/servlet\/extart?codigo=8531155<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Sergio Aragon\u00e9s<\/li>\n<li>The Simpsons<\/li>\n<\/ul>\n<\/li>\n<li id=\"item_RMS9HJPU\" class=\"item journalArticle\">\n<h2>Sergio Aragon\u00e9s, dibujante en La Codorniz<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Juan Antonio S\u00e1nchez Jim\u00e9nez<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>A little-known episode in Sergio Aragon\u00e9s&#8217; career is his collaboration with La Codorniz, precisely at a time when the dictator Franco was still ruling Spain. This document reveals how Aragon\u00e9s was able to collaborate with the popular humor magazine through another satirist, Arturo, whom he met anecdotally on a pleasure trip. Un episodio poco conocido de la trayectoria de Sergio Aragon\u00e9s es su colaboraci\u00f3n con La Codorniz, precisamente en un periodo en el que todav\u00eda gobernaba en Espa\u00f1a el dictador Franco. En este documento se descubre c\u00f3mo pudo Aragon\u00e9s colaborar con la popular revista de humor, a trav\u00e9s de otro autor sat\u00edrico, Arturo, a quien conoci\u00f3 de forma anecd\u00f3tica en un viaje de placer.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/revista.tebeosfera.com\/documentos\/sergio_aragones_dibujante_en_la_codorniz.html\">https:\/\/revista.tebeosfera.com\/documentos\/sergio_aragones_dibujante_en_la_codorniz.html<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Sergio Aragon\u00e9s<\/li>\n<li>La Codorniz<\/li>\n<\/ul>\n<\/li>\n<li id=\"item_EU4EFKR4\" class=\"item journalArticle\">\n<h2>Sergio Aragon\u00e9s. El talento desbordante<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Jaume Capdevila Herrero<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>Sergio Aragon\u00e9s es uno de los grandes nombres de la historia del c\u00f3mic, caracterizado sobre todo por su prolificidad. Su obra es colosal pero la cantidad no encubre una baja calidad. Al contrario, su trabajo es producto de una labor meticulosa, esforzada, con variados influjos culturales y estil\u00edsticos. En este art\u00edculo se analiza su obra de forma panor\u00e1mica, destacando de ella cuatro aspectos: la hibridaci\u00f3n de culturas, la energ\u00eda en cada proyecto, la laboriosidad evidente y el torrente creativo del autor, a\u00fan en activo. Sergio Aragon\u00e9s is one of the great names in the history of comics. He is fundamentally characterized by his prolificacy. The large amount of work produced does not mean that it is of low quality. On the contrary, his work is the product of meticulous, hard work, with varied cultural and stylistic influences. This article analyzes his work in a panoramic way, highlighting four aspects of it: the hybridization of cultures, the energy in each project, the evident industriousness and the creative torrent of the author, still active.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/revista.tebeosfera.com\/documentos\/sergio_aragones._el_talento_desbordante.html\">https:\/\/revista.tebeosfera.com\/documentos\/sergio_aragones._el_talento_desbordante.html<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/li>\n<li id=\"item_YWLEPXIH\" class=\"item journalArticle\">\n<h2>Tiemble despu\u00e9s de haber re\u00eddo<\/h2>\n<table>\n<tbody>\n<tr>\n<th>Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>\u00c1lvaro M\u00e1ximo Pons Moreno<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>Boogeyman, Blair Which? and D\u00eda de los Muertos are three works by Mark Evanier and Sergio Aragon\u00e9s in which they parody dismantle the horror genre. They are perfect examples that through intelligence and good humor you can turn the scariest into fun. This article reviews the works mentioned and analyzes how the authors build laughter based on terror. Boogeyman, Blair Which? y D\u00eda de los Muertos son tres obras de Mark Evanier y Sergio Aragon\u00e9s en las que desarticulan par\u00f3dicamente el g\u00e9nero de horror. Son perfectos ejemplos de que mediante inteligencia y buen humor se puede convertir en divertido aquello que da m\u00e1s miedo. Este art\u00edculo revisa las obras mencionadas y analiza c\u00f3mo los autores construyen risa partiendo del terror.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/revista.tebeosfera.com\/documentos\/tiemble_despues_de_haber_reido.html\">https:\/\/revista.tebeosfera.com\/documentos\/tiemble_despues_de_haber_reido.html<\/a><\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Tebeosfera: Cultura Gr\u00e1fica<\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1579-2811<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Sergio Aragon\u00e9s<\/li>\n<li>Mark Evanier<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Puedes descargar la referencia actualizada a estos y otros art\u00edculos similares desde <a href=\"http:\/\/dnmrul.es\/spip\/spip.php?page=biblio\">tbotkBD<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Las referencias de los art\u00edculos del nuevo n\u00famero de Tebeosfera especial Sergio Aragon\u00e9s ya se encuentran disponibles en tbotkBD. De bomberos y astronautas. Dos series mudas de Sergio Aragon\u00e9s Tipo Art\u00edculo de revista acad\u00e9mica Autor Antoni Guiral Conti Resumen The creative restlessness of Sergio Aragon\u00e9s is well known. Despite having a permanent job at Mad&#8230;<a class=\"read-more-link button\" href=\"https:\/\/dnmrul.es\/tebeotecario\/index.php\/2022\/09\/21\/nuevo-numero-tebeosfera-n-o-20-2022\/\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[42,9,46,43,47,49,48,44,41,52,53,51,28,50,40,21,39,45],"class_list":["post-168","post","type-post","status-publish","format-standard","hentry","category-nuevo-numero","tag-agatha-crumm","tag-articulo","tag-autoras","tag-capitalismo","tag-comic-erotico","tag-comic-feminista","tag-comic-pornografico","tag-dc-comics","tag-groo","tag-la-codorniz","tag-mark-evanier","tag-marvel","tag-nuevo-numero","tag-roger-stern","tag-sergio-aragones","tag-superheroes","tag-tebeosfera","tag-the-simpsons"],"_links":{"self":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/comments?post=168"}],"version-history":[{"count":5,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/168\/revisions"}],"predecessor-version":[{"id":186,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/168\/revisions\/186"}],"wp:attachment":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/media?parent=168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/categories?post=168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/tags?post=168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}