{"id":175,"date":"2022-09-20T09:57:04","date_gmt":"2022-09-20T09:57:04","guid":{"rendered":"http:\/\/dnmrul.es\/tebeotecario\/?p=175"},"modified":"2022-09-20T08:30:26","modified_gmt":"2022-09-20T08:30:26","slug":"articulo-defendiendo-el-statu-quo-en-the-dark-knight-rises-defending-the-status-quo-in-the-dark-knight-rises","status":"publish","type":"post","link":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/2022\/09\/20\/articulo-defendiendo-el-statu-quo-en-the-dark-knight-rises-defending-the-status-quo-in-the-dark-knight-rises\/","title":{"rendered":"Art\u00edculo: Defendiendo el Statu Quo en The Dark Knight Rises \/ Defending the Status Quo in The Dark Knight Rises"},"content":{"rendered":"<ul class=\"report combineChildItems\">\n<li id=\"item_U25S6EBL\" class=\"item journalArticle\">\n<h2>Defending the Status Quo in The Dark Knight Rises<\/h2>\n<table>\n<tbody>\n<tr>\n<th style=\"width: 25%;\">Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Jesse Russell<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>Aunque no es tan popular o innovador como su The Dark Knight, The Dark Knight Rises de Christopher Nolan de 2012 es un producto cultural importante del siglo XXI. La pel\u00edcula presenta una serie de villanos que desaf\u00edan el orden social corrupto de Gotham City, que a su vez se erige como una figura del capitalismo estadounidense del siglo XXI. No obstante, a pesar de estas cr\u00edticas, la pel\u00edcula defiende el neoliberalismo estadounidense como el mejor de muchos sistemas defectuosos.<\/p>\n<p>Although not as popular or groundbreaking as his Dark Knight, Christopher Nolan\u2019s 2012 The Dark Knight Rises is an important cultural artefact of the twenty-first century. The film presents a number of villains who challenge the corrupt social order of Gotham City, which itself stands as a figure for twenty-first century American capitalism. Nonetheless, despite these criticisms, the film upholds American neoliberalism as the best of many flawed systems.<\/td>\n<\/tr>\n<tr>\n<th>Fecha<\/th>\n<td>2022\/07\/04<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/journals.openedition.org\/ejas\/18220\">https:\/\/journals.openedition.org\/ejas\/18220<\/a><\/td>\n<\/tr>\n<tr>\n<th>Accedido<\/th>\n<td>20\/9\/2022 8:53:07<\/td>\n<\/tr>\n<tr>\n<th>Derechos<\/th>\n<td>https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/<\/td>\n<\/tr>\n<tr>\n<th>Adicional<\/th>\n<td>Number: 2 Publisher: European Association for American Studies<\/td>\n<\/tr>\n<tr>\n<th>Volumen<\/th>\n<td>17<\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>European journal of American studies<\/td>\n<\/tr>\n<tr>\n<th>DOI<\/th>\n<td><a href=\"http:\/\/doi.org\/10.4000\/ejas.18220\">10.4000\/ejas.18220<\/a><\/td>\n<\/tr>\n<tr>\n<th>N\u00famero<\/th>\n<td>2<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1991-9336<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 class=\"tags\">Etiquetas:<\/h3>\n<ul class=\"tags\">\n<li>Adaptaciones<\/li>\n<li>Batman<\/li>\n<li>Capitalismo<\/li>\n<li>Christopher Nolan<\/li>\n<li>The Dark Knight Rises<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div>Puedes descargar la referencia actualizada a este y otros art\u00edculos similares desde <a href=\"http:\/\/dnmrul.es\/spip\/spip.php?page=biblio\">tbotkBD<\/a>.<\/div>\n<div><\/div>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Russell, J. (2022). Defending the Status Quo in The Dark Knight Rises. <i>European Journal of American Studies<\/i>, <i>17<\/i>(2), Article 2. <a href=\"https:\/\/doi.org\/10.4000\/ejas.18220\">https:\/\/doi.org\/10.4000\/ejas.18220<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Defending the Status Quo in The Dark Knight Rises Tipo Art\u00edculo de revista acad\u00e9mica Autor Jesse Russell Resumen Aunque no es tan popular o innovador como su The Dark Knight, The Dark Knight Rises de Christopher Nolan de 2012 es un producto cultural importante del siglo XXI. La pel\u00edcula presenta una serie de villanos que&#8230;<a class=\"read-more-link button\" href=\"https:\/\/dnmrul.es\/tebeotecario\/index.php\/2022\/09\/20\/articulo-defendiendo-el-statu-quo-en-the-dark-knight-rises-defending-the-status-quo-in-the-dark-knight-rises\/\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[22,9,54,43,55,12,56],"class_list":["post-175","post","type-post","status-publish","format-standard","hentry","category-articulos","tag-adaptaciones","tag-articulo","tag-batman","tag-capitalismo","tag-christopher-nolan","tag-tbotkbd","tag-the-dark-knight-rises"],"_links":{"self":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/comments?post=175"}],"version-history":[{"count":5,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/175\/revisions"}],"predecessor-version":[{"id":185,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/175\/revisions\/185"}],"wp:attachment":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/media?parent=175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/categories?post=175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/tags?post=175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}