{"id":221,"date":"2022-09-27T06:53:30","date_gmt":"2022-09-27T06:53:30","guid":{"rendered":"http:\/\/dnmrul.es\/tebeotecario\/?p=221"},"modified":"2022-09-23T07:29:05","modified_gmt":"2022-09-23T07:29:05","slug":"articulocomo_se_representa","status":"publish","type":"post","link":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/2022\/09\/27\/articulocomo_se_representa\/","title":{"rendered":"Art\u00edculo: C\u00f3mo se representa el consentimiento sexual en el manga er\u00f3tico: un an\u00e1lisis de contenido"},"content":{"rendered":"<h2>How Sexual Consent is Portrayed in Sex Comics (Eromanga): A Content Analysis in Japan<\/h2>\n<table>\n<tbody>\n<tr>\n<th style=\"width: 25%;\">Tipo<\/th>\n<td>Art\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Tomoya Mukai<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Yuki Yuyama<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Jun Kamiya<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Tomoyuki Nogami<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Yui Fukushima<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>This study aimed to investigate how sexual consent is depicted in sex comics published in Japan. Twenty best-selling comics from 2010 and 2020 were set as objects of analysis and separated into 277 scenes. A codebook developed after five rounds of trials was utilized by four coders to code the materials. First, the results showed that explicit communication was not rare: among all materials, 39.9\u201357.3% of scenes were initiated by an explicit approach, while only 5.2\u201319.4% of scenes were coded as depicting non-explicit initiation. Further, as for the act of gatekeeper, 21.6\u201335.5% and 6.5\u20139.7% of scenes depicted explicit consent and refusal, while 20.3\u201328.2% of scenes were coded as expressing non-explicit consent\/refusal. Second, in the comparison between 2010 and 2020, there were fewer scenes in which more than three characters were involved and sexual acts were initiated by non-explicit forms in 2020. Contrastingly, there were more scenes in which sexual acts were initiated by assault or intimidation. Based on these findings, social implications and future research orientations are discussed.<\/p>\n<p>Este estudio tuvo como objetivo investigar c\u00f3mo se representa el consentimiento sexual en los c\u00f3mics sexuales publicados en Jap\u00f3n. Veinte de los c\u00f3mics m\u00e1s vendidos de 2010 y 2020 se establecieron como objetos de an\u00e1lisis y se separaron en 277 escenas. Cuatro codificadores utilizaron un libro de c\u00f3digos desarrollado despu\u00e9s de cinco rondas de pruebas para codificar los materiales. Primero, los resultados mostraron que la comunicaci\u00f3n expl\u00edcita no era rara: entre todos los materiales, entre el 39,9% y el 57,3% de las escenas se iniciaron con un enfoque expl\u00edcito, mientras que solo entre el 5,2% y el 19,4% de las escenas se codificaron como que representan una iniciaci\u00f3n no expl\u00edcita. Adem\u00e1s, en cuanto al acto de gatekeeper, entre el 21,6% y el 35,5% y entre el 6,5% y el 9,7% de las escenas mostraban consentimiento y rechazo expl\u00edcitos, mientras que entre el 20,3% y el 28,2% de las escenas se codificaron como expresi\u00f3n de consentimiento\/rechazo no expl\u00edcito. En segundo lugar, en la comparaci\u00f3n entre 2010 y 2020, hubo menos escenas en las que intervinieron m\u00e1s de tres personajes y los actos sexuales se iniciaron de forma no expl\u00edcita en 2020. En cambio, hubo m\u00e1s escenas en las que los actos sexuales se iniciaron por agresi\u00f3n o intimidaci\u00f3n. Con base en estos hallazgos, se discuten las implicaciones sociales y las futuras orientaciones de investigaci\u00f3n.<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/doi.org\/10.1007\/s12119-022-09999-x\">https:\/\/doi.org\/10.1007\/s12119-022-09999-x<\/a><\/td>\n<\/tr>\n<tr>\n<th>Accedido<\/th>\n<td>23\/9\/2022 8:41:00<\/td>\n<\/tr>\n<tr>\n<th>Publicaci\u00f3n<\/th>\n<td>Sexuality &amp; Culture<\/td>\n<\/tr>\n<tr>\n<th>DOI<\/th>\n<td><a href=\"http:\/\/doi.org\/10.1007\/s12119-022-09999-x\">10.1007\/s12119-022-09999-x<\/a><\/td>\n<\/tr>\n<tr>\n<th>Abrev. de revista<\/th>\n<td>Sexuality &amp; Culture<\/td>\n<\/tr>\n<tr>\n<th>ISSN<\/th>\n<td>1936-4822<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"csl-bib-body\">\n<div><\/div>\n<div class=\"csl-entry\">Mukai, T., Yuyama, Y., Kamiya, J., Nogami, T., &amp; Fukushima, Y. (2022). How Sexual Consent is Portrayed in Sex Comics (Eromanga): A Content Analysis in Japan. <i>Sexuality &amp; Culture<\/i>. <a href=\"https:\/\/doi.org\/10.1007\/s12119-022-09999-x\">https:\/\/doi.org\/10.1007\/s12119-022-09999-x<\/a><\/div>\n<\/div>\n<div><\/div>\n<div>Puedes descargar la referencia actualizada a este y otros art\u00edculos similares desde <a href=\"http:\/\/dnmrul.es\/spip\/spip.php?page=biblio\">tbotkBD<\/a>.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>How Sexual Consent is Portrayed in Sex Comics (Eromanga): A Content Analysis in Japan Tipo Art\u00edculo de revista acad\u00e9mica Autor Tomoya Mukai Autor Yuki Yuyama Autor Jun Kamiya Autor Tomoyuki Nogami Autor Yui Fukushima Resumen This study aimed to investigate how sexual consent is depicted in sex comics published in Japan. Twenty best-selling comics from&#8230;<a class=\"read-more-link button\" href=\"https:\/\/dnmrul.es\/tebeotecario\/index.php\/2022\/09\/27\/articulocomo_se_representa\/\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[9,47,67,57,78,12],"class_list":["post-221","post","type-post","status-publish","format-standard","hentry","category-articulos","tag-articulo","tag-comic-erotico","tag-comic-japones","tag-estudios-de-genero","tag-manga","tag-tbotkbd"],"_links":{"self":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/comments?post=221"}],"version-history":[{"count":4,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/221\/revisions"}],"predecessor-version":[{"id":226,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/221\/revisions\/226"}],"wp:attachment":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/media?parent=221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/categories?post=221"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/tags?post=221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}