{"id":227,"date":"2022-09-23T07:42:18","date_gmt":"2022-09-23T07:42:18","guid":{"rendered":"http:\/\/dnmrul.es\/tebeotecario\/?p=227"},"modified":"2022-09-23T07:52:35","modified_gmt":"2022-09-23T07:52:35","slug":"nuevo-libro-historia-del-arte-para-comics-pasado-presente-y-futuros-potenciales","status":"publish","type":"post","link":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/2022\/09\/23\/nuevo-libro-historia-del-arte-para-comics-pasado-presente-y-futuros-potenciales\/","title":{"rendered":"Nuevo libro: Historia del arte para c\u00f3mics: pasado, presente y futuros potenciales"},"content":{"rendered":"<h2>Art History for Comics: Past, Present and Potential Futures<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-228\" src=\"http:\/\/dnmrul.es\/tebeotecario\/wp-content\/uploads\/2022\/09\/978-3-031-07353-3-683x1024.webp\" alt=\"\" width=\"683\" height=\"1024\" srcset=\"https:\/\/dnmrul.es\/tebeotecario\/wp-content\/uploads\/2022\/09\/978-3-031-07353-3-683x1024.webp 683w, https:\/\/dnmrul.es\/tebeotecario\/wp-content\/uploads\/2022\/09\/978-3-031-07353-3-200x300.webp 200w, https:\/\/dnmrul.es\/tebeotecario\/wp-content\/uploads\/2022\/09\/978-3-031-07353-3-768x1152.webp 768w, https:\/\/dnmrul.es\/tebeotecario\/wp-content\/uploads\/2022\/09\/978-3-031-07353-3.webp 827w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/p>\n<p>&nbsp;<\/p>\n<table>\n<tbody>\n<tr>\n<th style=\"width: 25%;\">Tipo<\/th>\n<td>Libro<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Ian Horton<\/td>\n<\/tr>\n<tr>\n<th class=\"author\">Autor<\/th>\n<td>Maggie Gray<\/td>\n<\/tr>\n<tr>\n<th>Resumen<\/th>\n<td>This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future. It unearths how early comics scholars deployed art-histori<br \/>\ncal approaches, including stylistic analysis, iconography, Cultural History and the social history of art, and proposes how such methodologies, updated in light of disciplinary developments within Art History, could be usefully adopted in the study of comics today. Through a series of indicative case studies of British and American comics like Eagle, The Mighty Thor, 2000AD, Escape and Heartbreak Hotel, it argues that art-historical methods better address overlooked aspects of visual and material form. Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies.Este libro analiza los c\u00f3mics a trav\u00e9s de la lente de la historia del arte, examinando la influencia pasada de las metodolog\u00edas hist\u00f3ricas del arte en la erudici\u00f3n de los c\u00f3mics para ver c\u00f3mo se pueden aplicar a los estudios de c\u00f3mics en el presente y el futuro. Descubre c\u00f3mo los primeros estudiosos del c\u00f3mic implementaron enfoques de la historia del arte, incluido el an\u00e1lisis estil\u00edstico, la iconograf\u00eda, la historia cultural y la historia social del arte, y propone c\u00f3mo dichas metodolog\u00edas, actualizadas a la luz de los desarrollos disciplinarios dentro de la historia del arte, podr\u00edan adoptarse de manera \u00fatil en el estudio. de los c\u00f3mics de hoy. A trav\u00e9s de una serie de estudios de casos indicativos de c\u00f3mics brit\u00e1nicos y estadounidenses como Eagle, The Mighty Thor, 2000AD, Escape y Heartbreak Hotel, se argumenta que los m\u00e9todos hist\u00f3rico-art\u00edsticos abordan mejor los aspectos pasados por alto de la forma visual y material. Devolver la historia del arte al nexo interdisciplinario de la erudici\u00f3n en historietas plantea algunas preguntas fundamentales sobre las categor\u00edas, los marcos y los valores que subyacen en los estudios contempor\u00e1neos de historietas.<\/td>\n<\/tr>\n<tr>\n<th>Fecha<\/th>\n<td>2022<\/td>\n<\/tr>\n<tr>\n<th>Idioma<\/th>\n<td>en<\/td>\n<\/tr>\n<tr>\n<th>T\u00edtulo corto<\/th>\n<td>Art History for Comics<\/td>\n<\/tr>\n<tr>\n<th>Cat\u00e1logo de biblioteca<\/th>\n<td>DOI.org (Crossref)<\/td>\n<\/tr>\n<tr>\n<th>URL<\/th>\n<td><a href=\"https:\/\/link.springer.com\/10.1007\/978-3-031-07353-3\">https:\/\/link.springer.com\/10.1007\/978-3-031-07353-3<\/a><\/td>\n<\/tr>\n<tr>\n<th>Accedido<\/th>\n<td>23\/9\/2022 9:08:17<\/td>\n<\/tr>\n<tr>\n<th>Adicional<\/th>\n<td>DOI: 10.1007\/978-3-031-07353-3<\/td>\n<\/tr>\n<tr>\n<th>Lugar<\/th>\n<td>Cham<\/td>\n<\/tr>\n<tr>\n<th>Editorial<\/th>\n<td>Springer International Publishing<\/td>\n<\/tr>\n<tr>\n<th>ISBN<\/th>\n<td>978-3-031-07352-6 978-3-031-07353-3<\/td>\n<\/tr>\n<tr>\n<th>Serie<\/th>\n<td>Palgrave Studies in Comics and Graphic Novels<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Horton, I., &amp; Gray, M. (2022a). A Social History of Comics Art: Looking at Writers and Readers\u2019 Capitalism for Beginners. En I. Horton &amp; M. Gray (Eds.), <i>Art History for Comics: Past, Present and Potential Futures<\/i> (pp. 141-168). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-07353-3_9\">https:\/\/doi.org\/10.1007\/978-3-031-07353-3_9<\/a><\/div>\n<p><div class=\"csl-entry\">Horton, I., &amp; Gray, M. (2022b). Art History Turned Upside Down: David Kunzle and the Social History of Art. En I. Horton &amp; M. Gray (Eds.), <i>Art History for Comics: Past, Present and Potential Futures<\/i> (pp. 31-42). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-07353-3_4\">https:\/\/doi.org\/10.1007\/978-3-031-07353-3_4<\/a><\/div>\n<p><div class=\"csl-entry\">Horton, I., &amp; Gray, M. (2022c). Challenging Canons and the Challenge of Style: Visualising the Baroque Storyworld of Judge Dredd\u2019s \u201cThe Cursed Earth\u201d. En I. Horton &amp; M. Gray (Eds.), <i>Art History for Comics: Past, Present and Potential Futures<\/i> (pp. 59-82). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-07353-3_6\">https:\/\/doi.org\/10.1007\/978-3-031-07353-3_6<\/a><\/div>\n<p><div class=\"csl-entry\">Horton, I., &amp; Gray, M. (2022d). Cultural History for Comics Studies: Reinterpreting the Eagle and \u201cDan Dare &#8211; Pilot of the Future\u201d. En I. Horton &amp; M. Gray (Eds.), <i>Art History for Comics: Past, Present and Potential Futures<\/i> (pp. 115-140). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-07353-3_8\">https:\/\/doi.org\/10.1007\/978-3-031-07353-3_8<\/a><\/div>\n<p><div class=\"csl-entry\">Horton, I., &amp; Gray, M. (2022e). Establishing Canons, Styles and Schools at the Dawn of Comics Studies. En I. Horton &amp; M. Gray (Eds.), <i>Art History for Comics: Past, Present and Potential Futures<\/i> (pp. 13-20). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-07353-3_2\">https:\/\/doi.org\/10.1007\/978-3-031-07353-3_2<\/a><\/div>\n<p><div class=\"csl-entry\">Horton, I., &amp; Gray, M. (2022f). Iconography and Cultural History in Comics Studies. En I. Horton &amp; M. Gray (Eds.), <i>Art History for Comics: Past, Present and Potential Futures<\/i> (pp. 21-29). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-07353-3_3\">https:\/\/doi.org\/10.1007\/978-3-031-07353-3_3<\/a><\/div>\n<p><div class=\"csl-entry\">Horton, I., &amp; Gray, M. (2022g). Iconography for Comics Studies Reconsidered: Interpreting Visual Transformations in Jack Kirby\u2019s The Mighty Thor. En I. Horton &amp; M. Gray (Eds.), <i>Art History for Comics: Past, Present and Potential Futures<\/i> (pp. 83-114). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-07353-3_7\">https:\/\/doi.org\/10.1007\/978-3-031-07353-3_7<\/a><\/div>\n<p><div class=\"csl-entry\">Horton, I., &amp; Gray, M. (2022h). Modernism and Comics Revisited: Form and Fragmentation in Alan Moore\u2019s \u201cI Can Hear the Grass Grow\u201d. En I. Horton &amp; M. Gray (Eds.), <i>Art History for Comics: Past, Present and Potential Futures<\/i> (pp. 197-223). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-07353-3_11\">https:\/\/doi.org\/10.1007\/978-3-031-07353-3_11<\/a><\/div>\n<p><div class=\"csl-entry\">Horton, I., &amp; Gray, M. (2022i). Re-framing the Avant-Garde: Different Ways of Seeing Escape. En I. Horton &amp; M. Gray (Eds.), <i>Art History for Comics: Past, Present and Potential Futures<\/i> (pp. 169-196). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-07353-3_10\">https:\/\/doi.org\/10.1007\/978-3-031-07353-3_10<\/a><\/div>\n<p><div class=\"csl-entry\">Horton, I., &amp; Gray, M. (2022j). Variations of Formalism, Modernism, Abstraction. En I. Horton &amp; M. Gray (Eds.), <i>Art History for Comics: Past, Present and Potential Futures<\/i> (pp. 43-55). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-07353-3_5\">https:\/\/doi.org\/10.1007\/978-3-031-07353-3_5<\/a><\/div>\n<p><div class=\"csl-entry\">Horton, I., &amp; Gray, M. (2022k). Why Does Comics Studies Need Art History (and Vice Versa)? En I. Horton &amp; M. Gray (Eds.), <i>Art History for Comics: Past, Present and Potential Futures<\/i> (pp. 1-10). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-07353-3_1\">https:\/\/doi.org\/10.1007\/978-3-031-07353-3_1<\/a><\/div>\n<\/div>\n<p><div>Puedes descargar la referencia a este y otros libros similares desde <a href=\"http:\/\/dnmrul.es\/spip\/spip.php?page=biblio\">tbotkBD<\/a>.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Art History for Comics: Past, Present and Potential Futures &nbsp; Tipo Libro Autor Ian Horton Autor Maggie Gray Resumen This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future&#8230;.<a class=\"read-more-link button\" href=\"https:\/\/dnmrul.es\/tebeotecario\/index.php\/2022\/09\/23\/nuevo-libro-historia-del-arte-para-comics-pasado-presente-y-futuros-potenciales\/\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[9,43,81,79,80,60,82,12],"class_list":["post-227","post","type-post","status-publish","format-standard","hentry","category-nuevo-numero","tag-articulo","tag-capitalismo","tag-comic-britanico","tag-historia-del-arte","tag-historia-del-comic","tag-libro","tag-marxismo","tag-tbotkbd"],"_links":{"self":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/comments?post=227"}],"version-history":[{"count":3,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/227\/revisions"}],"predecessor-version":[{"id":231,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/227\/revisions\/231"}],"wp:attachment":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/media?parent=227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/categories?post=227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/tags?post=227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}