{"id":239,"date":"2022-10-11T15:41:38","date_gmt":"2022-10-11T15:41:38","guid":{"rendered":"http:\/\/dnmrul.es\/tebeotecario\/?p=239"},"modified":"2022-10-11T15:42:25","modified_gmt":"2022-10-11T15:42:25","slug":"239","status":"publish","type":"post","link":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/2022\/10\/11\/239\/","title":{"rendered":"Art\u00edculo: Una lectura cr\u00edtica de la narrativa espacial en los c\u00f3mics abstractos"},"content":{"rendered":"

A Critical Reading on Spatial Narrative in Abstract Comics<\/h2>\n

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Tipo<\/th>\nArt\u00edculo de revista acad\u00e9mica<\/td>\n<\/tr>\n
Autor<\/th>\nHavva Nur Yetkin<\/td>\n<\/tr>\n
Autor<\/th>\nPelin Dursun \u00c7ebi<\/td>\n<\/tr>\n
Resumen<\/th>\nEste estudio es una lectura cr\u00edtica sobre la narrativa espacial del c\u00f3mic abstracto. La forma de representaci\u00f3n, que se define como un c\u00f3mic abstracto, es una serie narrativa que crea una reacci\u00f3n en la audiencia con las formas y t\u00e9cnicas que utiliza. El objetivo del estudio, considerando la comunicaci\u00f3n entre el espectador y la representaci\u00f3n, es enfatizar el potencial que emancipaba al espectador y hac\u00eda que la forma representacional se abriera a las sensaciones. El espacio representado debe tener huellas que hagan visible la experiencia y la temporalidad del sujeto para que el espectador se comunique con la representaci\u00f3n. Se piensa que la experiencia que el espacio brinda al sujeto est\u00e1 ausente en la representaci\u00f3n arquitect\u00f3nica tradicional porque no tiene una contrapartida en la representaci\u00f3n. Debido a que el acto de \u201cexperimentar\u201d es temporal, la visibilidad de la temporalidad en la representaci\u00f3n crear\u00e1 brechas que incluir\u00e1n al espectador en la representaci\u00f3n. Los c\u00f3mics abstractos han sido evaluados como una forma de representaci\u00f3n que har\u00e1 visible la experiencia espacial al hacer legible el concepto de tiempo con las posibilidades de representaci\u00f3n y tener el potencial para ser utilizado como una herramienta de comunicaci\u00f3n. El hecho de que las representaciones abstractas del c\u00f3mic examinadas sean \u2018abstractas\u2019 transforma la forma de representaci\u00f3n en un campo de experiencia para el espectador, proporcionando un escenario para las sensaciones. Por otra parte, la legibilidad del tiempo proporciona un entorno comunicativo participativo en el que el espectador imagina lo que ocurre entre los paneles (unidades singulares de producciones secuenciales) y lo que puede ocurrir fuera de los paneles. Este estudio examina la comunicaci\u00f3n que establece la narrativa espacial con sus espectadores a trav\u00e9s de formas representacionales definidas como arte abstracto secuencial. Es valioso porque subraya la visibilidad de la experiencia en una representaci\u00f3n que emerge con los conceptos de tiempo y sensaci\u00f3n, y abre a discusi\u00f3n el tema de la temporalidad en la representaci\u00f3n arquitect\u00f3nica.<\/p>\n

This study is a critical reading on the spatial narrative of abstract comics. The form of representation, which is defined as an abstract comic, is a narrative series that creates a reaction in the audience with the forms and techniques it uses. The aim of the study, considering the communication between the spectator and the representation, is to emphasize the potential that emancipated the spectator and made the representational form open to sensations. The represented space must have traces that make the subject\u2019s experience and temporality visible in order for the spectator to communicate with the representation. The experience that the space provides to the subject is thought to be lacking in traditional architectural representation because it does not have a counterpart in representation. Because the act of \u201cexperiencing\u201d is temporal, the visibility of temporality in representation will create gaps that will include the spectator in the representation. Abstract comics have been evaluated as a form of representation that will make the spatial experience visible by making the concept of time legible with the possibilities of representation and having the potential to be used as a communication tool. The fact that the abstract comic book representations examined are \u2018abstract\u2019 transforms the form of representation into a field of experience for the spectator, providing a setting for sensations. On the other hand, the readability of time provides a participatory communication environment in which the spectator imagines what happens between the panels (singular units of sequential productions) and what might happen outside the panels. This study examines the communication that spatial narrative establishes with its spectators through representational forms defined as abstract sequential art. It is valuable in that it underlines the visibility of experience in a representation that emerges with the concepts of time and sensation, and opens the topic of temporality in architectural representation to discussion.<\/p>\n

Bu \u00e7al\u0131\u015fma, soyut \u00e7izgi roman \u00fcretimlerinin mekan anlat\u0131s\u0131 \u00fczerine ele\u015ftirel bir okumad\u0131r. Soyut \u00e7izgi roman olarak tan\u0131mlanan temsil bi\u00e7imi, kulland\u0131\u011f\u0131 tekniklerle seyircisinde bir tepki yaratan anlat\u0131 dizileridir. \u00c7al\u0131\u015fman\u0131n amac\u0131, ele al\u0131nan temsil bi\u00e7iminin seyircisi ile kurdu\u011fu ileti\u015fim g\u00f6z \u00f6n\u00fcne al\u0131narak; seyirciyi \u00f6zg\u00fcrle\u015ftiren, temsili duyumsamalara a\u00e7\u0131k hale getiren potansiyellerini vurgulamakt\u0131r. Seyircinin temsille ileti\u015fim kurabilmesi i\u00e7in, temsilin temsil edilen mekan\u0131n \u00f6zneye dair deneyimi ve zamansall\u0131\u011f\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lacak izlere sahip olmas\u0131 gerekir. Geleneksel mimari temsil \u00fcretimlerinde eksik oldu\u011fu d\u00fc\u015f\u00fcn\u00fclen durum, temsil edilen mekan\u0131n \u00f6zneye sundu\u011fu deneyimin, temsilde kar\u015f\u0131l\u0131\u011f\u0131n\u0131n bulunmamas\u0131d\u0131r. Deneyimlemek eylemi zamana tabidir; bu y\u00fczden temsilde zamansall\u0131\u011f\u0131n g\u00f6r\u00fcn\u00fcr hale gelmesi, seyirciyi de temsile dahil edecek aral\u0131klar a\u00e7acakt\u0131r. Zaman kavram\u0131n\u0131 temsilin olanaklar\u0131yla okunakl\u0131 hale getiren ve bir ileti\u015fim arac\u0131 potansiyeli ta\u015f\u0131yan soyut \u00e7izgi roman, mekansal deneyimi g\u00f6zle g\u00f6r\u00fcn\u00fcr k\u0131lacak bir temsil bi\u00e7imi olarak de\u011ferlendirilmi\u015ftir. \u0130ncelenen soyut \u00e7izgi roman temsillerinin \u2018soyut\u2019 olmas\u0131, temsili duyumsamalara ortam sa\u011flayan ve seyircinin d\u00fc\u015fleriyle yeniden \u00fcretti\u011fi bir deneyim alan\u0131na \u00e7evirir. Zaman\u0131n okunakl\u0131l\u0131\u011f\u0131 ise, seyircinin ard\u0131\u015f\u0131k \u00fcretimlerin tekil birimleri olan paneller aras\u0131nda neler oldu\u011funu ve paneller d\u0131\u015f\u0131nda neler olabilece\u011fini hayal etti\u011fi kat\u0131l\u0131mc\u0131 bir ileti\u015fim ortam\u0131 sa\u011flar. Bu \u00e7al\u0131\u015fma, soyut ard\u0131\u015f\u0131k sanat olarak tan\u0131mlanan \u00fcretimler \u00fczerinden mekansal anlat\u0131n\u0131n seyircisiyle kurdu\u011fu ileti\u015fimi incelemektedir. Deneyimin zaman ve duyumsama kavramlar\u0131yla ortaya \u00e7\u0131kan bir temsilde g\u00f6zle g\u00f6r\u00fcl\u00fcr olmas\u0131n\u0131n alt\u0131n\u0131 \u00e7izmesi ve mimari temsilde zamansall\u0131k konusunu tart\u0131\u015fmaya a\u00e7mas\u0131 anlam\u0131nda de\u011ferlidir.<\/td>\n<\/tr>\n

URL<\/th>\nhttp:\/\/hdl.handle.net\/10045\/124623<\/a><\/td>\n<\/tr>\n
Volumen<\/th>\n3<\/td>\n<\/tr>\n
Publicaci\u00f3n<\/th>\nUOU scientific journal<\/td>\n<\/tr>\n
DOI<\/th>\n10.14198\/UOU.2022.1.04<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
<\/div>\n
Yetkin, H. N., & Dursun \u00c7ebi, P. (2022). A Critical Reading on Spatial Narrative in Abstract Comics. UOU Scientific Journal<\/i>, 3<\/i>. https:\/\/doi.org\/10.14198\/UOU.2022.1.04<\/a><\/div>\n<\/div>\n

Puedes descargar la referencia actualizada a este y otros art\u00edculos similares desde tbotkBD<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

A Critical Reading on Spatial Narrative in Abstract Comics Tipo Art\u00edculo de revista acad\u00e9mica Autor Havva Nur Yetkin Autor Pelin Dursun \u00c7ebi Resumen Este estudio es una lectura cr\u00edtica sobre la narrativa espacial del c\u00f3mic abstracto. La forma de representaci\u00f3n, que se define como un c\u00f3mic abstracto, es una serie narrativa que crea una reacci\u00f3n…Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[73,9,83,84,12],"class_list":["post-239","post","type-post","status-publish","format-standard","hentry","category-articulos","tag-analisis-de-imagen","tag-articulo","tag-comic-abstracto","tag-narrativa","tag-tbotkbd"],"_links":{"self":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/comments?post=239"}],"version-history":[{"count":2,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/239\/revisions"}],"predecessor-version":[{"id":242,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/posts\/239\/revisions\/242"}],"wp:attachment":[{"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/media?parent=239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/categories?post=239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dnmrul.es\/tebeotecario\/index.php\/wp-json\/wp\/v2\/tags?post=239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}